Logan Lerman and Molly Gordon ignite the screen in their scorching new rom-com Oh, Hi!, where their electric chemistry pushes boundaries. Gordon candidly reveals they treated the camera as a “third participant” during intimate scenes, blending humor with raw authenticity.
The film redefines modern romantic comedies through its unflinching exploration of dating delusions and obsession. As their characters’ weekend getaway spirals into chaos, Lerman and Gordon deliver career-best performances that will dominate awards discussions.
With bold storytelling and unforgettable moments, this is the romantic comedy event of the summer – equal parts hilarious, heartbreaking, and uncomfortably real.
- Logan Lerman and Molly Gordon redefine rom-com intimacy in ‘Oh, Hi!’ by treating the camera as a “third participant” during bold sex scenes, with Gordon stating they were “f—ing the camera.”
- The film blends dark comedy and psychological tension as it explores modern dating’s delusions through a disastrous couple’s weekend getaway, showcasing both actors’ career-best chemistry.
- Molly Gordon co-wrote the script to create her own star vehicle, resulting in a complex female lead that subverts rom-com tropes while drawing from her personal dating experiences.
- The controversial ending sparks debate by subverting genre expectations, forcing audiences to reconsider the thin line between love and obsession in digital-age relationships.
Logan Lerman and Molly Gordon Ignite the Screen in ‘Oh, Hi!’ – A Bold New Rom-Com
Logan Lerman and Molly Gordon redefine romantic chemistry in Oh, Hi!, a film that blends raw intimacy with dark humor. The actors’ willingness to push boundaries—including Gordon’s candid admission about “f—ing the camera” during sex scenes—creates an authenticity rarely seen in the genre. Lerman, known for his boyish charm, delivers a career-redefining performance as Isaac, a man whose perfect-on-paper persona unravels during a chaotic weekend getaway.
The movie’s strength lies in its refusal to romanticize modern dating. Gordon’s Iris is a revelation: equal parts vulnerable and volatile, embodying the contradictions of millennial romance. Director Sophie Brooks frames their tumultuous relationship with uncomfortable closeness, using tight shots that make viewers feel like uneasy participants rather than passive observers.

The Birth of a New Rom-Com Archetype
What sets Oh, Hi! apart is its protagonists’ complexity:
- Isaac (Lerman): A walking red flag disguised in “perfect boyfriend” packaging
- Iris (Gordon): A self-saboteur whose intelligence outstrips her emotional maturity
- Their chemistry: Equal parts intoxicating and toxic, keeping audiences off-balance
Breaking Down ‘Oh, Hi!’s Revolutionary Approach to Intimacy
The much-discussed sex scenes in Oh, Hi! represent a paradigm shift for screen intimacy. Gordon and Lerman approached these sequences with unprecedented meta-awareness—they weren’t just performing for the camera but with it. This technique, developed with intimacy coordinator Jessica Steinrock, creates scenes that acknowledge their artificiality while paradoxically feeling more authentic.


Gordon’s description of “f—ing the camera” isn’t just provocation—it’s an artistic statement about performative intimacy in the digital age. The scenes work because they’re consciously artificial yet emotionally naked, mirroring how modern relationships often feel. The actors’ willingness to embrace awkwardness (Lerman admits these were his most nervous scenes) makes the moments between Iris and Isaac devastatingly real.



The Intimacy Coordinator’s Role
| Scene | Innovation | Result |
|---|---|---|
| First intimate encounter | Actors alternated leading/following | Creates palpable power shifts |
| Morning-after scene | Incorporated improvised dialogue | Achieves unsettling authenticity |
| Final confrontation | Used proxemics to show emotional distance | Visual metaphor for relationship breakdown |
From Fantasy Hero to Rom-Com Lead: Logan Lerman’s Reinvention
Logan Lerman’s journey from Percy Jackson to Oh, Hi! represents one of Hollywood’s most interesting career pivots. At 33, he brings a lived-in quality to romantic comedy that challenges the genre’s usual youthful optimism. His Isaac is charming but flawed, confident yet insecure—a far cry from the one-dimensional love interests dominating rom-coms.



Lerman’s Career Evolution
- 2010-2015: Boyish fantasy lead (Percy Jackson series)
- 2012 Breakthrough: The Perks of Being a Wallflower showed dramatic range
- 2020s Transition: Supporting roles in prestige dramas (The Underground Railroad)
- 2025 Pivot: Oh, Hi! proves his leading man capabilities in adult roles
Molly Gordon: The Multi-Hyphenate Force Behind ‘Oh, Hi!’
Molly Gordon doesn’t just star in Oh, Hi!—she co-wrote it, continuing her ascent as Hollywood’s most exciting multi-hyphenate. Frustrated by limited roles, Gordon created a vehicle showcasing her comedic chops and dramatic depth. The result earned her Sundance’s IMDb STARmeter Award and positioned her as a generational talent.


Gordon’s Iris represents something rare—a female rom-com lead who’s allowed to be:
- Sexually assertive without being fetishized
- Intellectually sharp without being unapproachable
- Deeply flawed without becoming unlikable



Why ‘Oh, Hi!’ Might Be the First Great Post-Dating App Romance
Unlike traditional rom-coms, Oh, Hi! fully engages with how technology has transformed modern love. The film captures:
- The paralysis of endless dating app options
- The performative nature of digital courtship
- The loneliness persisting beneath constant connection


Gordon and Lerman’s performances physically manifest digital-age anxieties—the compulsive checking of phones becomes a twitch, romantic declarations feel rehearsed, and sexual encounters carry the unmistakable tension of performance. This isn’t accidental; it’s a brilliantly crafted critique of how technology mediates modern intimacy.



The Film’s Timely Themes
| Theme | Modern Manifestation | Traditional Rom-Com Treatment |
|---|---|---|
| Love vs. Obsession | Stalking becomes Instagram deep-dives | Played for laughs with grand gestures |
| Intimacy | Physically close but emotionally distant | Sweeping music signals true love |
| Resolution | Ambiguous growth | Neat happily-ever-after |
Where to Watch ‘Oh, Hi!’ and Why Theatrical Viewing Matters
Following its Sundance triumph, Oh, Hi! deserves to be experienced in theaters. The cinematography—particularly the intimate scenes—loses impact on small screens. Current availability includes:
- Theatrical release: Major chains through August 2025
- Upcoming streaming: Platform TBA late August
- International rollout: Begins mid-August
The film’s visual language—from extreme close-ups to haunting wide shots—demands the big screen treatment. Brooks’ direction turns empty spaces between characters into emotional minefields, an effect diminished on laptops or phones. For maximum impact, seek out theaters with strong sound systems—the carefully curated soundtrack (featuring Phoebe Bridgers and LCD Soundsystem) provides crucial emotional cues.




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